
There
are many great guitars, in many shapes and sizes, what is the
difference and what are they?!
The
fender® stratocaster™ and it's metal pedigree.
The
next factor to look at is the Fender Stratocaster players,
which, though carry many similarities, have a some notable
differences, and lead to some interesting developments!
In the beginning there was Jimi...
well sort of. Jimi drew heavily from great blues artists such as
Otis Rush, and many more, even Clapton for his Bluesbreaker
work!
Jimi is the man that really put the guitar, the Strat, and even
heavy rock and roll firmly on the map!
Hendrix was a very 'funky'
rhythmic player, and maybe that is why the Fender was so suited
to him. The neck join is bolt on, the body alder, and the neck
hard rock maple (no pun intended!) and the pick ups are single
coil. Add these factors together and you get a bright, cutting
tone, but with a warm sweet tone from the neck pick up. Jimi
used the neck pick up a lot, especially the ballads like Little
Wing, Wind Cries Mary, the intro to Hey Joe. It is a great
rhythm tone that also produces wonderful singing lead tone of
the highest order.
The
'synchronized tremelo' was another reason for Jimi favoring the
Strat, and it is well known that he used it quite liberally!
Staying in tune would be a task at times though.
Anyone into Strats will tell
you how the Strat fits the body like a glove, plays so
comfortably, and is like a best friend. The cutaway contours
make the guitar a dream to hold, and is a much copied feature on
many of today's guitars.
The Strats Hendrix played, like
the 1970 Relic pic above, had very round radius fingerboards,
small frets, and super comfy C or U shape. The small frets can
sometimes be a bit tough for those used to big jumbo frets!
Another feature Hendrix never
had the benefit of was the 5 way selector switch! He had to find
the notch on the switch between settings for funky 'out of
phase' tones. Some say he had hidden switches in some guitars!
The basic Hendrix tone is
simply to plug into a Marshall stack and crank it, maybe adding
a touch of Wah, Univibe (rotating effect) or fuzz tone. I find
that many newer distortion boxes more suited than fuzz, and JH
himself would probably have a ball with today's technology.
For the cleaner Hendrix parts,
I think a Fender Twin, or Super Reverb do a great job.
Experiment!
THE HENDRIX INFLUENCE!
Many players were bowled over
by Jimi, and promptly traded in their Gibsons for Fenders! (Most
sensible ones managed to hang on to the Gibbo too!). One such
character was Ritchie Blackmore from Deep Purple!
Ritchie took the humble Strat
tone, kicked it in the head, sped up the fingers, added a unique
classical influence, and became a huge superstar along the way.
Smoke on the water became a guitarists classic, and the rest is
history! He is probably the most influential guitarist of the
seventies.
Again, Ritchie used Marshalls,
big ones! Plug a Strat into a Marshall, crank it, and you have
instant Blackmore!
There was also another young
fellow that grew up listening to Hendrix and Deep Purple, and
that was the legendary Yngwie Malmsteen! In an odd way,
Yngwie did with Blackmore what Blackmore did with Hendrix...
Yngwie took the humble Strat tone, kicked it in the head
(again), sped up the fingers(again), added more unique classical
influence, like Paganini, Bach, and became a superstar along the
way.
Using the same format of loud
Marshall and Fender Strat, Yngwie added extra pre amp gain to
get more out of his rig. This helps him achieve the unbelievable
legato style he plays. Many '70's and '80's players had been
looking for more sustain, more power, more tone.
Yngwie chose his own unique
way, but there are some interesting stories along the way,
notably the effect of EDDIE VAN HALEN. More of that later.
Many other players have favored
the Strat, from many diverse musical styles! Hank Marvin, David
Gilmour, Robin Trower, Rory Gallagher, Mark Knopfler, Jeff Beck
(A huge inspiration for a lot of us!) and many others.
Some people believe that a
Fender Stratocaster allows more of yourself to come through than
other guitars.... give one a try, it might be you that is the
next Fender Strat into a Marshall super star!!!!
FOOTNOTE:
Don't under estimate a Fender
Strat's power! I used a Fender Relic at a Judas Priest support
in Perth, and the basic set up of the Strat, Marshall DSL50 and
a bodgy Boss Graphic, more than held it's own up against a
billion bucks worth of rack gear the Priest had.
It certainly hammered hard! JP

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